J Patrick Lewis - meaning and definition. What is J Patrick Lewis
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What (who) is J Patrick Lewis - definition

ENGLISH ORIENTALIST PAINTER
J F Lewis; J. F. Lewis
  • ''An Armenian lady, Cairo – The love missive'', 46 × 35 cm, oil on panel, 1855. The young woman in the background was reworked as a standalone subject in ''The Coffee Bearer'', two years later.
  • ''A Frank Encampment in the Desert of Mount Sinai – 1842 – The Convent of St. Catherine in the Distance'', showing English aristocrats on a tour, watercolour, 1856
  • ''The Reception'', 1873, version in oils, using drawings of Lewis' house in Cairo, which he had left over 20 years before<ref>Weeks; Tromans, 25&ndash;27</ref>
  • ''The Coffee Bearer'', oil (1857)
  • A photo from the late 1860s
  • The Harem - Introduction of an Abyssinian slave, 1860s version

J. Patrick Lewis         
AMERICAN CHILDREN'S WRITER AND POET
J. patrick lewis
J. Patrick Lewis (born May 5, 1942) is an American poet and prose writer noted for his children's poems and other light verse.
John Frederick Lewis         
John Frederick Lewis (1804–1876) was an English Orientalist painter. He specialized in Oriental and Mediterranean scenes in detailed watercolour or oils, very often repeating the same composition in a version in each medium.
J. Slater Lewis         
  • Moxey]] 1913/19.
  • Title page, 1896.
  • Diagram of Manufacturing Accounts, J.S. Lewis 1896.
  • Garcke and Fells (1887/89)]].
  • Patent drawing of Slater Lewis' Insulator for Telegraph Wires, 1883
  • Church]] 1910.
  • Nicholson]]. 1913.
  • Staff Organisation Diagram, J.S. Lewis 1896.
BRITISH ENGINEER
Joseph Slater Lewis; Slater Lewis; Lewis, J. Slater
Joseph Slater Lewis MICE FRSE (4 June 1852 – 27 July 1901) was a British engineer, inventor, business manager, and early author on management and accounting, known for his pioneering work on cost accounting.Chatfield (2014, p.

Wikipedia

John Frederick Lewis

John Frederick Lewis (1804–1876) was an English Orientalist painter. He specialized in Oriental and Mediterranean scenes in detailed watercolour or oils, very often repeating the same composition in a version in each medium. He lived for several years in a traditional mansion in Cairo, and after his return to England in 1851 he specialized in highly detailed works showing both realistic genre scenes of Middle Eastern life and more idealized scenes in upper-class Egyptian interiors with little apparent Western influence.

His very careful and loving representation of Islamic architecture, furnishings, screens, and costumes set new standards of realism, which influenced other artists, including the leading French Orientalist painter Jean-Léon Gérôme in his later works. Unlike many other Orientalist painters who took a salacious interest in the women of the Middle East, he "never painted a nude", and his wife modelled for several of his harem scenes. These, with the rare examples by the classicist painter Lord Leighton, imagine "the harem as a place of almost English domesticity, ... [where] ... women's fully clothed respectability suggests a moral healthiness to go with their natural good looks".